Derek Jarmans Blue weaves a phenomenological tapestry that serves as both a political call to action and a meditation on illness, dying, and love.
Written poetically and...
Derek Jarmans Blue weaves a phenomenological tapestry that serves as both a political call to action and a meditation on illness, dying, and love.
Written poetically and surrealistically, Jarmans text moves through myriad scenes, some banal, others fantastical. Stories of quotidien life--getting coffee, reading the newspaper, and walking down the sidewalk--escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue--a color, a feeling, a funk. Jarman writes, For Blue there are no boundaries or solutions.
Originally released as a feature film in 1993, the year before Jarmans death due to an AIDS-related illness, Blue is a daring and
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